Best The God of Small Things: A Novel By Arundhati Roy
Best The God of Small Things: A Novel By Arundhati Roy
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Ebook About WINNER OF THE MAN BOOKER PRIZE • NEW YORK TIMES BESTSELLER • An affluent Indian family is forever changed by one fateful day in 1969, from the author of The Ministry of Utmost Happiness“[The God of Small Things] offers such magic, mystery, and sadness that, literally, this reader turned the last page and decided to reread it. Immediately. It’s that haunting.”—USA TodayCompared favorably to the works of Faulkner and Dickens, Arundhati Roy’s modern classic is equal parts powerful family saga, forbidden love story, and piercing political drama. The seven-year-old twins Estha and Rahel see their world shaken irrevocably by the arrival of their beautiful young cousin, Sophie. It is an event that will lead to an illicit liaison and tragedies accidental and intentional, exposing “big things [that] lurk unsaid” in a country drifting dangerously toward unrest. Lush, lyrical, and unnerving, The God of Small Things is an award-winning landmark that started for its author an esteemed career of fiction and political commentary that continues unabated.Book The God of Small Things: A Novel Review :
This is literature, perhaps even great literature. (This debut novel by Arundhati Roy did win the Man Booker prize in 1997, after all.) But that doesn't mean it is an easy book to read. Quite the opposite. It's a real challenge.Taking place in the small Indian town of Ayemenem, this is the story of twins Rahel and Estha and their deeply troubled extended family. The plot, which involves failed marriages, illicit love affairs, deaths, horrific forms of betrayal, and two kids trying to figure it all out, is secondary to the overarching theme of how we sometimes purposely and sometimes inadvertently destroy our own lives—generation after generation after generation. It is a story about family fights, forbidden love, forbidden sex, violent spousal abuse, child sexual abuse, incest, Indian politics, and the insurmountable differences between classes in India. And through it all Roy writes with a razor-sharp sharp perception of the comedy and tragedy of the human condition. Escapist reading this is not.What makes it great literature: This is a celebration of language and the beauty of words. Each word is carefully chosen. Each sentence is perfect. The words flow like poetry and demand to be read a second time for their sheer beauty. But this isn't poetry. It's a novel. The structure, style and extraordinary word play are highly imaginative, perhaps even the work of a genius.What makes it challenging: This tragic story is not told chronologically, jumping primarily between two distinct times—two weeks when the twins are 7 years old and later when they are 31 years old. And sometimes the jump comes without warning, which makes it very confusing. Key plot points are revealed long before they actually occur. And even while a major part of the plot is unfolding, the action jumps in time—from one day ahead to four days behind to two weeks ahead. As the author herself says, "It begins at the end and ends in the middle." Reading this book was not relaxing; it was work!Advice: The first chapter is dense in important information, but because it jumps around in time and introduces many characters (yay for the Kindle X-ray feature!), I decided to reread the first 20 pages, something I don't remember ever doing before. It then all clicked for me…and I was off and running. Arundhati Roy has a new book, her second novel, out this year and much acclaimed. I want to read it, but in thinking about that book, I remembered her remarkable debut novel, The God of Small Things, which was published twenty years ago in 1997. I had read the book back then, but in recalling it today, I found that its details had blurred and I wanted to read it again. And so I did.It was even better the second time around. Perhaps my life experience in the last twenty years has given me a greater appreciation of the story.Roy's luminous prose makes reading an unadulterated pleasure, even when she is describing the tragic events of this tale. The story of fraternal ("two-egg" in the language of the book) twins Esthappen and Rahel and their childhood in the state of Kerala in the southern tip of India, as they try to understand and come to terms with their fractured family and as they learn to their eternal sorrow that the events of one day can change things forever, is a story which everyone who has ever been a child should be able to relate to.Moreover, I thought the structure which Roy gave to the story was absolutely brilliant in its conception and execution. She begins the story at its end and ends it at its beginning and, throughout, the action slips effortlessly back and forth between the present and the beginnings in 1969.The twins and their mother, Ammu, had returned to the family home in Ayemenem after the mother divorced her abusive drunkard husband. But because of the divorce, she is considered an outcast and she and her children are resented by the family, especially by her aunt, Baby Kochamma, a woman whose own desire for love has been thwarted.In fact, everyone in this fraught household has been thwarted in love in one way or another.Ammu's brother, Chako (Rhodes scholar, pickle baron, and radical Marxist), had married a woman in England but after their daughter was born, the first bloom of love faded and she left him for another man. Then, he, too, returned to Ayemenem.Ammu's and Chako's mother, Mammachi, is a widow, now blind, who was regularly beaten by her husband with a brass pot when he was alive.In this atmosphere of frustrated desires, Ammu must try to raise her children and give them happy lives.The caste system is still very much a part of society in India in 1969 and it pollutes relations at every level. The twins have a friend, teacher, and protector in Velutha, a member of the Untouchable caste. He is someone who grew up with their mother. The two children love him by day, but, in secret, their lonely mother loves him at night. It is, of course, a forbidden love and one that can only end in grief.The catalyst for the tragedy to come is the Christmas visit to the home by Chako's ex-wife, Margaret, and his beloved daughter, Sophie. It's impossible to further describe the plot without spoilers. Suffice to say that no one escapes unchanged.Roy loads her narrative with foreshadowing so that one feels a constant sense of trepidation and anxiety. When the worst happens, it is hardly a surprise and yet the reader is still devastated.What strikes me as most tragic is not so much the suffering of these flawed characters, but the fact that such suffering is so commonplace. We are reading of the effects of the caste system in India in the 1960s; it might just as easily be about racism, misogyny, xenophobia in America today. Human nature has not improved in the last fifty years. In that regard, sadly, Roy's story stands up very well to the passage of time. 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